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Cet article souligne l’importance non seulement d’entreprendre une critique polysémique, mais aussi de révéler l’échafaudage discursif sur lequel s’appuie la polysémie.Polysemisches Rüstzeug: Die Explikation von diskursiven Reibungsflächen in der Chappelle’s ShowLisa Glebatis PerksDieser Aufsatz expliziert die diskursiven Grundpfeiler, die in den verschiedenen Bedeutungen von rassistischem Humor zum Vorschein kommen. Tout au long de l’article, je défends l’«échafaudage polysémique », une méthode qui traite la polysémie comme une interaction tenue pour acquise entre le texte, l’auteur et l’auditoire, et qui cherche plutôt à comprendre les schémas discursifs dont les significations polysémiques seront rendues actives.

DENY AND SUBVERT SOUTH PARK PLUS

Este artículo subraya la importancia de, no solo asumir una crítica polisémica, sino también revelar el andamiaje discursivo por el cual la polisemia está basada.L’échafaudage polysémique : une explication des accrochages discursifs dans le Chappelle’s ShowLisa Glebatis PerksCet essai explique les fondements discursifs d’oùémergent des significations multiples dans l’humour racial, en décrivant trois importants accrochages qui sont au cœur de la comédie polysémique du Chappelle’s Show : la stéréotypification flagrante contre un plus subtil racisme médié, les stéréotypes raciaux inversés contre les stéréotypes traditionnels, et le discours sérieux contre le discours non sérieux. A través del artículo, afirmo el caso del “andamiaje polisémico,’’ como un método que posiciona a la polisemia como una interacción no tenida en cuenta entre el texto, el autor y la audiencia, y en cambio busca entender las pautas discursivas que activarán eventualmente los significados polisémicos. This article underscores the importance of not only undertaking polysemic criticism, but also of uncovering the discursive scaffolding upon which the polysemy is based.El Andamiaje Polisémico: Explicando el Choque Discursivo en el Programa de ChappelleLisa Glebatis PerksResumenEste ensayo explica las fundaciones discursivas que emergen de los significados múltiples del humor racial, mediante la descripción de 3 choques discursivos prominentes en el corazón de la comedia polisémica del programa de Chappelle: el estereotipar en forma flagrante versus el solapado racismo mediático, los estereotipos raciales invertidos versus los estereotipos tradicionales, y los discursos serios versus los no serios. Throughout the article, I make a case for “polysemic scaffolding,” a method that positions polysemy as a taken-for-granted interaction among text, author, and audience, and instead seeks to understand the discursive patterns that will eventually have their polysemic meanings activated. This article explicates the discursive foundations that bubble up multiple meanings in racial humor, describing three prominent discursive clashes at the heart of Chappelle's Show’s polysemic comedy: Egregious stereotyping versus subtler mediated racism, inverted racial stereotypes versus traditional stereotypes, and serious versus nonserious discourse. Taking a chapter-by-chapter approach to each aspect of the play/programs, Gibb demonstrates that Parker and Stone owe a debt to Aristophanes, as an artistic forebear, by being uncompromisingly (and controversially) irreverent, politically incorrect and thematically/aesthetically daring, thereby allowing readers to view the late twentieth and early twenty-first century United States through the prism of ancient Greek drama. The findings are divided into ten elements. In Flying To A Quiet Mountain Town Upon A Dung Beetle: Aristophanic Elements in South Park, Dirk Gibb utilises a close viewing of individual South Park episodes, together with a studious analysis of Aristophanes' eleven surviving plays, to uncover allied forms of humour, story/thematic content and literary/televisual approaches. Nevertheless, South Park is deeply entrenched within the lineage of Aristophanic comedy, in terms of educating and challenging, as well as entertaining, fans and spectators.

DENY AND SUBVERT SOUTH PARK SERIES

Aristophanes, the fifth century B.C.E Athenian comic playwright, and Trey Parker and Matt Stone, the creators of the Comedy Central animated television series South Park, lived and worked over two millennia apart.

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